Yungblud and Aerosmith’s One More Time EP Review
- Jade McLeod

- Nov 22, 2025
- 2 min read
Updated: Dec 24, 2025
An unexpected collaboration has emerged with Yungblud and Aerosmith joining forces for the One More Time EP. This project blends musical eras, genres, and attitudes, resulting in a sound that is simultaneously nostalgic and forward-looking. Across five tracks, this partnership demonstrates that rock music remains vibrant, dynamic, and relevant.
The EP begins with “My Only Angel,” a cross-generational track that immediately highlights the strengths of both artists. Yungblud and Steven Tyler deliver powerful vocals that complement each other, suggesting a natural musical chemistry. Tyler’s distinctive rasp and Yungblud’s incisive tone are supported by robust guitar work, resulting in a track that reinterprets classic rock for a contemporary audience. This song stands out as a bold introduction to the duo’s collaborative potential.
“Problems” maintains the EP’s momentum, featuring a remarkably cohesive vocal blend. Rather than appearing as a guest, Yungblud integrates seamlessly into Aerosmith’s musical style. The track is characterized by its playful energy, assertive delivery, and distinctive charm, all of which contribute to the collaboration’s overall cohesion.
“Wild Woman” erupts with swagger and stomp, the kind of track built for blasting out car windows or screaming along to in a stadium. Tyler handles the bluesy grit, while Yungblud brings his trademark theatrical intensity, creating a dynamic push-and-pull that keeps the energy bouncing. It is messy, loud, and absolutely addictive.
“A Thousand Days” introduces a slower tempo while maintaining emotional intensity. This track emphasizes vulnerability, allowing both artists to convey significant emotional depth through their vocal performances. The production features a warm, atmospheric quality that blends elements of rock balladry with western influences. Serving as the emotional centerpiece of the EP, it provides a sense of grounding and authenticity.
The EP concludes with a reimagined version of “Back in the Saddle,” referencing Aerosmith’s legacy while introducing new elements. Yungblud contributes energy that complements rather than overshadows the original composition, and the updated arrangement offers a fresh perspective. This closing track functions as both a tribute and a reinvention, illustrating the compatibility of the two artists’ styles.





Comments