Leigh Anne My Ego Told Me To
- Jade McLeod

- 6 days ago
- 3 min read
This week, Leigh-Anne stepped boldly into her solo era with the release of her debut album My Ego Told Me To, and it is clear from the first listen that this is a project rooted in confidence, growth and freedom. After years as one quarter of Little Mix, this record feels like a declaration. It is playful, sultry, self aware and at times deeply reflective.
The album opens its world with “Look Into My Eyes,” a track pulsing with club energy. It is glossy and hypnotic, built for late nights and flashing lights. The production leans into that carefree dance floor atmosphere while Leigh-Anne’s vocals glide effortlessly over the beat.
“Dead and Gone” shifts into a pop reggae lane that instantly feels nostalgic. It carries echoes of “Man Down” by Rihanna, blending attitude with island inspired rhythms. There is something cinematic about it, dramatic yet controlled, and it shows her versatility as she moves between genres with ease.
“Revival” keeps the momentum going with an upbeat, almost triumphant tone. It feels like a reclamation moment, the kind of song that belongs on a summer playlist but also carries emotional weight beneath its brightness.
“Been A Minute” has drawn comparisons to the sleek, rhythmic stylings of Tyla and Ayra Starr. It taps into that smooth Afropop influenced sound that feels both current and globally aware. Leigh-Anne sounds relaxed and confident here, riding the beat instead of chasing it.
“Goodbye Goodmorning” has quickly become a fan favourite. There is a sensual edge to it that feels “Kiss It Better” coded, again nodding toward Rihanna’s influence but never losing Leigh-Anne’s own tone. It is sleek, late night RnB at its finest.
Then there is “Burning Up,” a track that feels almost criminally short. It leaves you wanting more, which may be the point. The same can be said for “Most Wanted,” which carries undeniable Rihanna energy and attitude but disappears far too quickly. Both tracks hint at bold sonic directions that could have been explored even further.
“Best Version of Me” leans fully into RnB, offering one of the more introspective moments on the album. It feels personal and affirming, almost like a conversation with herself. Meanwhile, “Me Minus U” contains subtle references longtime fans will clock instantly, a soft nod to the Glory Days era that adds a layer of nostalgia without overshadowing her solo identity.
“Sunrise” is full of soul, warm and glowing. It feels like healing in musical form. The “You ARE A Star” interlude acts as a gentle affirmation, reinforcing the album’s core theme of self belief and stepping into your own light.
“FREE” bursts through with upbeat liberation. It feels like windows down, volume up energy. “Tight Up Skirt” and “Talk To Me Nice” bring attitude and flirtation back to the forefront, balancing empowerment with playful confidence.
The closing track “Heaven” ties everything together beautifully. For dedicated fans, the inclusion of her twins at the end makes the moment even more powerful. It is not just a career milestone, it is a life one. Hearing her babies woven into the fabric of the album adds a layer of tenderness and grounding that reframes the entire project. This is not only about ego or independence. It is about legacy, motherhood and the different versions of herself that now coexist.
My Ego Told Me To is not just a debut album. It is a statement. Leigh-Anne proves she can command club beats, reggae pop, Afropop influences and silky RnB without losing cohesion. The project feels like someone stepping fully into who they are, ego and all, while holding space for the woman, the artist and the mother she has become.







Comments